{"id":132145,"date":"2012-12-15T08:00:00","date_gmt":"2012-12-15T16:00:00","guid":{"rendered":"http:\/\/www.seattleweekly.com\/uncategorized\/calvin-trillin-2\/"},"modified":"2012-12-15T08:00:00","modified_gmt":"2012-12-15T16:00:00","slug":"calvin-trillin-2","status":"publish","type":"post","link":"https:\/\/www.seattleweekly.com\/arts\/calvin-trillin-2\/","title":{"rendered":"Calvin Trillin"},"content":{"rendered":"<p>When Calvin Trillin was forced by health reason to cancel his Seattle reading a year ago, the race to the White House was still gathering steam. The delay has its benefits, as he’s now completed <i>Dogfight: The 2012 Presidential Campaign in Verse<\/i> (Random House, $16). His poems, mostly rhymed couplets, are chronological. After a 2008 prelude (\u201cIn stories from the capital we read\/That now the GOP was close to dead\u201d), we march through the long, eventful Republican primaries (\u201cNo longer was it fair to introduce\/Michele [Bachmann] as ‘Sarah Palin minus moose’\u201d) all the way to the debates and Election Day, which the final poem celebrates. There are prose interludes, too, as when Callista Gingrich hilariously tries to convince Newt she’s <i>not<\/i> dying of dengue fever\u2014even as her husband is looking for a younger, non-dying wife number four. As a veteran writer in <i>The New Yorker<\/i> and beyond, Trillin has an eye for colorful scoundrels and buffoons; Romney an Obama are actually the book’s palest figures (one has no poetry to him, the other too much). Instead, it’s Bachmann, Gingrich, Herman Cain, Rick Santorum and company who most amuse the author. (In another prose pause, Santorum tells his kids of the Wii console, \u201cIt is Satan’s tool and is thus unclean to the touch.\u201d) The Tea Party just makes Trillin irate, and Bill Clinton makes him nostalgic (see: colorful scoundrels, above). After Clinton’s rousing convention oratory, writes Trillin of Obama’s follow-up: \u201cUpstaged? Well, yes, but by a speech with flair\/And not by Eastwood and an empty chair.\u201d BRIAN MILLER<\/p>\n<p>Mon., Dec. 10, 7:30 p.m., 2012<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Calvin Trillin was forced by health reason to cancel his Seattle reading a year ago, the race to the…<\/p>\n","protected":false},"author":1280,"featured_media":132146,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[6],"tags":[],"yst_prominent_words":[],"class_list":["post-132145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts"],"_links":{"self":[{"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/posts\/132145"}],"collection":[{"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/users\/1280"}],"replies":[{"embeddable":true,"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/comments?post=132145"}],"version-history":[{"count":0,"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/posts\/132145\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/media\/132146"}],"wp:attachment":[{"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/media?parent=132145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/categories?post=132145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/tags?post=132145"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.seattleweekly.com\/wp-json\/wp\/v2\/yst_prominent_words?post=132145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}