Chris StrongThe Appleseed Cast, with Dreamend. Chop Suey, 1325 E. Madison St., 324-8000. 8 p.m. $12. All ages. In 2001, the Kansas quartet The Appleseed Cast made a seminal departure from their hard-driving, heavily distorted sound by released a double LP called Low Level Owl Volumes One and Two. The album received unanimously high accolades for its stirring and accessible melodies, its tumbling, murmuring vocals, its brilliantly on-point drums and ambient keyboard breaks – all of which, woven together, created a cohesive, hypnotizing and emotionally-loaded tapestry of sound. It effectively transformed The Appleseed Cast from another late 90s post-rock outfit to an instantly likeable, even groundbreaking band. Since then, they’ve undergone some changes in their lineup and released a few solid full-lengths, but none have yet lived up to the prestige of Low Level Owl. Perhaps that’s why tonight they’ll be revisiting the album, performing both LPs back to back. It’s going to be, in a word, epic. ERIN K. THOMPSONAmy Blaschke, with Robyn Miller, Wayfinders. Crocodile, 2200 Second Ave., 441-7416. 8 p.m. $8. A fixture in the Seattle music scene for ages – via her solo career, her stint in Whalebones, and her moody Night Canopy collaboration with former Pretty Girls Make Graves drummer Nick Dewitt – ethereal folk songbird Amy Blaschke packed her bags and left for Los Angeles a couple of years ago. Fortunately, she continues to make music in various guises and configurations, and every now and then she makes it back up to these parts for a gig. We’re the better for it, because Blaschke’s voice – honeyed and soulful, sometimes commanding and other times translucent – is easy to miss hearing regularly, especially when draped over some rudimentary acoustic guitar or a simple piano melody. MICHAEL ALAN GOLDBERGKaylee Cole, with Drew Victor, Passenger and Pilot. Sunset Tavern, 5433 Ballard Ave. N.W., 784-4880. 9 p.m. $7. Though she’s barely three years into her career, Kaylee Cole is poised to become one of the next breakout singer-songwriters from the northwest. With a phrasing and tone reminiscent of dour chanteuse Chan Marshall, but with an appealing, self-depreciating sense of humor figuring prominently in both her material and stage banter, Cole is currently working on her sophomore release with TV on the Radio’s David Sitek. It’s a prestigious union that certainly has the potential to put her on the national radar, but ultimately her own compelling, confessional voice is her greatest strength. HANNAH LEVIN