Dance with props can feel incoherent, but Lincoln and Seiters make it feel vital.
The local festival’s varied bill proves dance isn’t just for women.
Including two pieces by famed choreographer Benjamin Millepied.
For those trying to survive in booming Seattle, it’s all about time and space … and money.
With Northwest New Works and the Seattle International Dance Festival, the options are overwhelming.
The program is jam-packed with juicy male roles.
As part of Spectrum Dance Theater’s #RACEish season, Byrd is using Baldwin and Mead’s past encounter to consider the state of the present day.
A village boy loves a village girl, but is also infatuated with what he thinks is the lovely daughter of a crotchety toymaker. Swanilda, our village girl and a plucky lass, manages to discover that the lovely daughter is actually a lovely doll.
Pacific Northwest Ballet director Peter Boal often uses the annual “Director’s Choice” program to introduce local audiences to new works by new choreographers. But this time, with a mix of revivals and restagings, we’re getting a new view of dancemakers we’ve already seen.
There’s something about the 19th-century ballets choreographed by Marius Petipa (1818–1910) that calls for excess. The old stories handed down…
William Forsythe may be a choreographer, but he sounded a bit like an engineer during a Pacific Northwest Ballet lecture-demonstration…
Jody Lee Lipes’ documentary isn’t so much about a dance as about the process of making one. We follow choreographer…
For 36 years, On the Boards ran a new works showcase called 12 Minutes Max—the title determining the runtime. Annex…
For 36 years, On the Boards ran a new works showcase called 12 Minutes Max—the title determining the runtime. Annex…
There is nothing subtle about Don Quixote. The Spanish-inflected dancing (full of big virtuoso tricks), the thumping rhythms in the…
The last time Pacific Northwest Ballet danced all of George Balanchine’s neoclassical masterwork, in 2009, Lesley Rausch didn’t appear at…
One of the first films director Carlos Saura made was a short about flamenco, in 1955, and throughout his long…
When Amy O’Neal came to Seattle to study dance at Cornish in the ’90s, she arrived with a polyglot movement…
Salt Horse’s Color Field filled odd corners and back hallways at Northwest Film Forum in March with eccentric moments, but…
Two of the works that Mark Morris Dance Group brought home to Seattle at the Paramount over Valentine’s Day weekend—Love…
