Changing Forms celebrates an artist who forged a new feminine poetics in early video art.
LVLZ Healing Center at Interstitial presents prismatic, pixelated, emoji-laden therapy pods.
Recology CleanScapes’ resident artists explore the underworld of garbage.
Along the SoDo busway, muralists turn the blurring landscape into a blur of art.
The Fair may be about selling art, but the energy it sends through the local art scene is more exciting than just that.
Curators of the show use gallery admission as a lesson in privilege and race.
Untold Passage considers the expressive, unquantifiable aspects of immigration.
Sympathizing with inanimate objects in Amie Siegel’s Interiors.
Through the poetry of common objects, Inye Wokoma reveals the webs of reliance under redlining.
Are exceptional awards enough to keep artists in the Northwest? Probably not. So what will it take?
The whimsical tradition pairs artists with UW students for surprise results.
A Q&A with Chris E. Vargas, organizer of ‘Trans Hirstory in 99 Objects.’
The month-long leftist festival offers interesting perspectives on art and politics–but who is showing up?
Satpreet Kahlon’s curatorial debut inspects the devaluation of handicraft and motherhood.
An exhibition about hypnotherapy and other water sports.
Mejor Vida Corp, an exhibition at Hedreen Gallery, offers products and services for free.
At Gallery4Culture, three artists realize Seattle’s real-estate nightmare.
The artist’s portraits at Mariane Ibrahim Gallery are acts of countervisuality.
Customs founder Allen Huang is moving to Taipei, but for other locals, leaving the U.S. is complicated.
The Henry is re-examining cinema born of darkness.
A student-curated exhibition at Jacob Lawrence Gallery envisions political grandiosity.
