In a lazy drawl that sounds like a hybrid cross between Ryan Adams’ soulful North Carolina slur and Bob Dylan’s off-pitch, nasal mutterings, Austin songwriter Chris Brecht croons about trains, lost love and the nomadic life with the same passion and timeless appeal of greats from Woody Guthrie to Willie Nelson. And his devotion to all things retro extends to his songwriting and recording techniques: not only does he use a typewriter to put his poetic travelin’ songs to paper, his debut album, The Great Ride, was recorded entirely to 2″ tape. “I don’t think I’ll ever make a digital record, anymore,” Brecht says. “I don’t think that tape really makes [music] sound old or vintage; I just think that tape adds such a warmth and beauty that digital can’t quite capture.” This will be Brecht’s very first Northwest tour, and though he’s flying solo this time, he hopes to return by car soon with his full band, including organist Matt Mollica and his Hammond B3 (because Mollica refuses to play an electronic keyboard, ever.) Let’s hope gas prices don’t make that tour impossible, because the full band complete with B3 will be a sight to behold. If Bumbershoot and its country-heavy lineup isn’t in the cards for you this weekend, checking out Chris Brecht should be.

Sat., Aug. 30, 9 p.m., 2008