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National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
The Gambler
One of Robert Altmans finest took big risks with movie conventions
Published on March 05, 2008
Funny how, some three decades later, the antiwar film M*A*S*H is considered a classic war movie and McCabe & Mrs. Miller (1971) is now deemed a classic Western, though its set in the snowy Pacific Northwest, after the closing of the frontier, and without any proper cowboys in sight. Warren Beatty stumbles into town as
perhaps the least impressive cardsharp in movie history. Julie Christie, as the town madam, is considerably smarter about
money and sex. And their love storythough its hardly thatalso resists the usual resolution of a couple on horseback riding into the sunset. The two are entrepreneurs, petty capitalists whose thriving town brothel becomes a takeover target of larger corporate interests. And while Altman
always sides with the little guy, he knows which powers will inevitably prevail in such a contest (see his last movie, A Prairie Home Companion, for a reiteration of the same theme). McCabe is an elegy for a town that failed, for a relationship that didnt work, and for the whole fading Western genre. Its also one of Altmans very best pictures. (R)
Wed., March 5, 6:45 & 9:15 p.m., 2008