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  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Rock 'Em, Sock 'Em

Tube socks survive the kiln.

By Adriana Grant

Published on March 05, 2008

"Clay? II" is the second group show curated by University of Washington ceramics professors Jamie Walker, Akio Takamori, and Doug Jeck, exploring more and less traditional works in clay. The standout is Sock Blocks by Benjamin Peterson. Seven chunks of white porcelain are affixed to the wall, encasing that most mundane article of clothing: the white cotton tube sock. Humorous and surprisingly sensual, these puddles of fabric within an opaque coating of white porcelain are a retake on how socks tend to look when they've been pulled off and left in small heaps. Somehow the fabric has not burned away during the firing process but remains intact, only darkening in color where its skin of porcelain is thin—burnt orange in places, blackened in others. Where the white fabric is exposed, its ribbing and loose fringe are curled into patterns reminiscent of coral. Baked into swirling, lumpen bricks, this common household item becomes almost organic, almost animal. These socks are rolled up into themselves like weevils.