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Recent Articles
Recent Articles by Mike Seely
Tamela Thomas takes top honors at the Super Bowl of Tang Soo Do.
Thursday, July 24
The anatomy of the U Village Burgermaster.
But the Hawks defensive end wants you to step up your game.
Ten reasons why.
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City Pages
Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.
By Jonathan Kaminsky
Miami New Times
Our reporter sets out in search of a naked lunch.
By Janine Zeitlin
Broward-Palm Beach New Times
Before swinging a bat in a lesbian softball league, pick a side: gay or straight?
By Amy Guthrie
Village Voice
At JFK, Erhan Yildirim clears corpses for takeoff.
By Elizabeth Dwoskin
The Signal: Blood! Give Us More Blood!
Published on February 20, 2008
Among the most graphically violent works of art ever committed to celluloid, this mindblower of a film transcends the slasher genre, playing more like a superhip hybrid of Invasion of the Body Snatchers, Memento, Mulholland Drive, and Slither. The plot revolves around mysterious broadcast waves that interrupt television and telephone traffic in the fictitious town of Terminus. These waves, it turns out, make people homicidally crazy, and much killing with blunt instruments ensues. Meanwhile a pair of lovers (deftly played by Anessa Ramsey and Justin Welborn) try to escape the murderous wrath of a scorned, jealous madman (A.J. Bowen). Tonally, the film—directed by David Bruckner, Dan Bush, and Jacob Gentry—is pitch-perfect, featuring panicked, quick cuts that maintain a creepy, suspenseful mood throughout. And like the aforementioned Slither, there's some great campy comic relief: Chadrian McKnight, in maybe 10 minutes of screen time, damn near walks away with the film as a mustachioed, pussy-starved party guest who's completely unaware of the madness that has engulfed the town.