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Recent Articles
Recent Articles by Laura Onstot
Can we trust the budget numbers coming out of King County?
File it yourself.
The sheriff is rallying rural troops in her battle with Ron Sims.
Concerns run deeper than the name of the Mariners playground.
Allan Parmelee has a low batting average, but a few big hits.
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City Pages
Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.
By Jonathan Kaminsky
Miami New Times
Our reporter sets out in search of a naked lunch.
By Janine Zeitlin
Broward-Palm Beach New Times
Before swinging a bat in a lesbian softball league, pick a side: gay or straight?
By Amy Guthrie
Village Voice
At JFK, Erhan Yildirim clears corpses for takeoff.
By Elizabeth Dwoskin
Angelique Kidjo
Think Graceland was the best Paul Simon album ever? Youll love this
Published on February 20, 2008
My mom and I had braved the wind and cold and were anxiously awaiting Josh Grobans appearance at Chicagos United Center (dont you judge me) when the opening act, Angelique Kidjo, was announced. I have to confess to stifling a bit of a groan. We came to swoon over Groban, he of the Grecian locks and silky tenor. Why did we have to first suffer through some opening act? Kidjo took the stage and immediately began warming up the crowd. There was a little chatter, some heartfelt references to the struggles of her native Africa (Kidjo was born in Benin), and then her sultry alto kicked in. Part soul, with a little light jazz, pulsing African folk, and a dash of rockthat mix took Kidjo from opening act to Grammy darling. Shes hard to pin down, collaborating with everyone from Joss Stone to Peter Gabriel to Branford Marsalis (for you jazzophiles). Now shes on tour promoting Djin Djin, her latest album, which took Best Contemporary World Music Album honors. I came across one online reviewer who described her as the Liza Minnelli of Afropop and found her stage banter a tad pretentious and off-putting. But sometimes it takes a little brash arrogance to put on a good show, and Kidjo does just that, even if shes not the act you came to see. Moore Theater, 1932 Second Ave., 467-5510, www.themoore.com. $30-$35. 8 p.m. LAURA ONSTOT
Thu., Feb. 21, 8 p.m., 2008