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Recent Articles
Recent Articles by Adriana Grant
Brad Adkins at Cornish.
Brad Adkins Plastic Water Bottle in GIMME
John Grade at the Bellevue Arts Museum.
John Grade at Bellevue Arts Museum
Christian French's work in a Cap Hill storefront.
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National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
Video Play
A truly endless summer, and other stories
Published on February 13, 2008
A visual story of unrequited love (or lust) between two fancy-shirted cowboys: thats Isaac Juliens The Long Road to Mazatlan (screened in Seattle once before in 2004s Only Skin Deep photography exhibit at SAM). A digital, paint-blurred, almost cartoonish short of what appears to be a gorilla, caught and retold in a mess of color: Takeshi Muratas Monster Movie. And a trope on how to jump off a bridge: a summer tale, looped over and over again. All that falling gets beautiful, if you watch long enough: the reluctant bravery it takes to jump off the bridge, and (shown in quick succession) all of those young bodies. And the one girl pulled in, her legs careening in the empty air. This last one is Dara Friedmans Government Cut Freestyle, depicting kids jumping off a pier in Miami. Western Bridges current video-based show, Multiplex, is a little summer, a little romance, all of it a little hypnotic. Hours: Noon6 p.m. Thurs.Sat. Show ends March 29.
Sat., Feb. 16, 12-6 p.m., 2008