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  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Video Play

A truly endless summer, and other stories

By Adriana Grant

Published on February 13, 2008

A visual story of unrequited love (or lust) between two fancy-shirted cowboys: that’s Isaac Julien’s The Long Road to Mazatlan (screened in Seattle once before in 2004’s “Only Skin Deep” photography exhibit at SAM). A digital, paint-blurred, almost cartoonish short of what appears to be a gorilla, caught and retold in a mess of color: Takeshi Murata’s Monster Movie. And a trope on how to jump off a bridge: a summer tale, looped over and over again. All that falling gets beautiful, if you watch long enough: the reluctant bravery it takes to jump off the bridge, and (shown in quick succession) all of those young bodies. And the one girl pulled in, her legs careening in the empty air. This last one is Dara Friedman’s Government Cut Freestyle, depicting kids jumping off a pier in Miami. Western Bridge’s current video-based show, “Multiplex,” is a little summer, a little romance, all of it a little hypnotic. Hours: Noon–6 p.m. Thurs.–Sat. Show ends March 29.
Sat., Feb. 16, 12-6 p.m., 2008