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Recent Articles
Recent Articles by Hannah Levin
What it means for Seattle music, the Hill, and Japan.
Sunday, June 29
The latest on an adventurous local film remake, and new work from the Llamas farm.
Seattles tragic punk icons are recaptured in a long-awaited film.
A guarded speakeasy meets the press.
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Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Louis C.K.
Too smart for the masses, but not for us
Published on November 07, 2007
At a time when lowest-common denominator hack Dane Cook was on the rise and the criminally marginalized show Arrested Development was on the chopping block, Louis C.K. created a sharp, bleak, and hysterically insightful sitcom about a nurse and muffler shop employee raising their 4-year old daughter while scraping by at the poverty level. Because it was shot before a live audience for HBO, and because of the simple set design and artfully inserted undercurrents of social commentary, Lucky Louie felt like a raw fusion of Roseanne and All in the Family. Unfortunately, such subversive smarts flew too far under the radar and HBO cancelled the series after just one season. Undeterred by that failure, Louis C.K. simply dove back into the club circuit, where his reputation for profane honesty, fearless self-flagellation, and natural timing always shine.
Sat., Nov. 10, 8 p.m., 2007