Advanced Archive Search >>
Best of Seattle

Most Popular

Blogs

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

Things We Lost in the Fire: Only Benicio Del Toro Is Worth Saving

By Julia Wallace

Published on October 17, 2007

If you've always yearned to see Halle Berry's earlobe magnified to a hundred times its normal size, get yourself to a screening of Things We Lost in the Fire. In Danish director Susanne Bier's first American effort, the camera lingers so long and lusciously on its lead actress' perfect little pores that it quickly starts to resemble a Neutrogena commercial. Berry is fine in her limited role—she plays Audrey Burke, a Seattle bobo left widowed when her sainted husband, Brian (David Duchovny), is murdered—but Benicio Del Toro's a squinty-eyed genius, and the only reason this film is halfway worth seeing. His performance as Jerry, Brian's heroin-addicted best friend, brings to mind Jack Nicholson's antic magnetism in the days before he lapsed into self-parody. Outside of this excellence, you can expect the expected here: Audrey cries copiously, and Jerry bonds Full House–style with the cloyingly precocious (but gorgeous!) Burke children. There are some pitch-perfect moments of camaraderie between Jerry and a dorky, deadpan neighbor (John Carroll Lynch), but Audrey's helpless need for a male presence, and her odd inability to control her sexuality in the absence of her husband, made this feminist's skin crawl.