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  • Bottoms Up

    Before drinking heavily, it's helpful to eat a slice of pizza the size of your head.

  • Rainier Beer in the Vending Machine

    The bing on the Sub Pop cherry.

  • Sub Pop 20

    “The new thing: the big thing: the God thing: a mighty multinational entertainment conglomerate based in the Pacific Northwest.”

  • Old Men River

    Rock gods Gossard, Ament, and Arm reunite for a hotly anticipated one-off by a seminal Seattle grunge act.

  • Touch Me, I’m Funny

    Sub Pop’s foray into comedy raised some eyebrows, but it really shouldn’t be all that surprising.

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

Kurt Cobain: About a Boy: Grunge Ghost Speaks From Beyond the Grave

By Brian J Barr

Published on October 10, 2007

First things first; this is not a documentary. It's more of a surrealist meditation on how the sociopolitical and geographical climate of Western Washington helped shape a rock 'n' roll icon. Thanks to hours of unused audio interviews conducted by Nirvana's official biographer, Michael Azerrad (for 1993's Come as You Are), Cobain narrates the film, but we never see his face. Instead, he describes the ugliness of being a teenager in the soggy timber town of Aberdeen while director A.J. Schnack illustrates it with gorgeous, somber scenes of the region today. We follow Cobain in this same manner as he meets fellow Olympic Peninsula punks the Melvins, hangs out with Evergreen slackers in Olympia, signs with Sub Pop, and hears one of his songs, "Love Buzz," on KCMU for the first time. All along, Schnack (who previously profiled They Might Be Giants in Gigantic: A Tale of Two Johns) gives us portraits of the present-day Pacific Northwest, from the dense and dark woods to the steel-and-glass skyscrapers. Two very important things separate About a Son from most of the post-suicide material on Cobain. First, it was made in part by someone who spent time with him (Azerrad). Second, it's one of the few to try and understand where he was from, and why that made him who he was.