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  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Ira & Abby: Jennifer Westfeldt Rips Off Woody Allen

By Julia Wallace

Published on October 03, 2007

Directed by Robert Cary, writer-producer Jennifer Westfeldt's follow-up to her surprise hit Kissing Jessica Stein centers on Ira (Chris Messina), a neurotic New York Jew who enters into an on-and-off relationship with Abby (Westfeldt), a loopy, free-spirited shiksa. (Um, yeah—Annie Hall called, and it wants its plot back.) The overall effect is that of an aging vaudevillian making a good-hearted but embarrassing attempt to entertain us with stock characters and stock jokes and stock shtick. Westfeldt based the character of Abby on herself, which might explain why she's a flawless, practically Christ-like figure, persecuted by Ira's anxieties and worshipped by doormen and cab drivers. If this seems unrealistic, it's even harder to imagine how a jobless grad student could afford the cavernous Upper West Side apartment that Ira inhabits. Ira & Abby is strongly invested in an idea of itself as a "New York movie," but its self-professed love for the city is a sham. Why not celebrate New York as it really is, dour cabbies, tiny apartments, and all?