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Recent Articles
Recent Articles by Sandra Kurtz
With cameos by Edward Gorey and Thelonious Monk, this uni-gender festival satisfies.
Austere dance, on green themes, in a 15x15 space.
Beforts blackouts and mannequin hands.
PNBs Robbins program speaks to the companys
continuing evolution under Peter Boal.
Zoe Scofield takes traditional technique into the jungle.
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Balanchines Petipa
Find the family resemblances in the PNB repertory
Published on October 03, 2007
In the same way that you can look at your family album and see your nose repeating back through generations of parents and grandparents, you can see the ancestors of a dance in the works that came before it. George Balanchine spent his youth at the Imperial Theater School in St. Petersburg, absorbing the works of classicist choreographer Marius Petipa along with his lessons in the studio. While some of these foundational ballets are still in performance today, many are only available through the arcane notation system that was practiced at the school at the time. Dance historian and Pacific Northwest Ballet education director Doug Fullington has taught himself Stepanov notation, and has restaged excerpts from some of these historic ballets; in PNBs program Balanchines Petipa you can see them demonstrated next to their contemporary descendants, presented by PNB artistic director Peter Boal, in a dance history show-and-tell.
Fri., Oct. 5, 6 p.m., 2007