Looking back on his first term.
A studio apartment in San Francisco now costs $1,700 per month. Hence the madness.
How a woman in a leopard-print mini-skirt brought down the Kansas attorney general.
What to do when your friends become rock 'n' roll stars? Go along for the ride.
Chatting backstage afterward with a Courvoisier and cranberry in her hand, Shunda filled me in on their latest coup, signing with Domino Records, while Jwl discussed the motivation that makes them such a gorgeous force to be reckoned with. "We really just want to have a good time, and we're blessed to have these gifts. It really is just about being positive."
Kwab Copeland must also have a pretty friggin' positive attitude, because the former Sunset booker seems to be really tackling a lot lately. He's in the process of taking over booking for Jules Maes and helping get future Georgetown venue Last Chance Chili off the ground, so I'm seriously impressed with the lineup that he pulled together for Seattle Weekly's first REVERBfest. Bumbershoot and the Capitol Hill Block Party have their place in terms of big, national headliners and mainstream appeal, but this city has been sorely in need of a festival that puts the spotlight entirely on both established and up-and-coming local artists.
Conceived in the same spirit as our Outsider in-stores at Easy Street Records (the next of which is with the Cave Singers on Sept. 25), the idea behind REVERBfest was to focus purely on locals. There's a slight emphasis on relative newcomers like the Pleasureboaters, the Maldives, Das Llamas, TacocaT, Throw Me the Statue, Fleet Foxes, "Awesome," Macklemore, Grynch, and Siberian, plus a sprinkling of old-school stalwarts like Girl Trouble, Mark Pickerel, and the Dusty 45s. There are also plenty of stellar DJs set to throw down over at Hazlewood, including the boys from the Cops, DJ dAb, and my KEXP colleague and human encyclopedia of musical knowledge, DJ El Toro.
All this will take place starting at 2 p.m., Saturday, Oct. 6, on nine different stages in venues around Ballard, four of which will be all-ages. Tickets are on sale on our Web site (seattleweekly.com/promos/reverb) and are just $8 ($10 day of show).
Of course, the multivenue event that everyone is talking about this week is the experimental, electronic orgy, Decibel Festival. Read previews by Steven Sawada, Travis Ritter, Jeff Morrison, and Rachel Shimp in this issue (p. 75), and find postshow blog action on Reverb (www.seattleweekly.com/music/blogs/reverb).
As for me, I plan on saving my energy for the show at the Funhouse on Saturday, Sept. 21. It's a happy coincidence that it's my birthday that night, but the real guest of honor is local musician Dave Bessenhoffer, an all-around great guy who has played in tons of excellent punk bands, including Blow Up, Tractor Sex Fatality, New Fangs, and (most recently) Fort Hell. With a little help from his friends (and mine), plus suitably noisy accompaniment from the Pleasureboaters, we'll be wishing Bessenhoffer well as he heads for the sunnier environs of Austin.