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  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Girlschool

Monday, September 3

By Hannah Levin

Published on August 29, 2007

Every obsessive music fan has a handful of artists they tout as unappreciated heroes, overlooked by mainstream tastes. Odds are you’ve met this person, and they’ve told you that the Pop Group is “waaaaaay better than the Clash,” or that Nurse With Wound is a great soundtrack for a Sunday dinner. Willful obscurists irritate me, but even I can be found wagging my finger from a pulpit/soapbox sometimes, so please bear with me. Girlschool were hands down one of the best hard-rock bands of the late ’70s and early ’80s, but thanks to their collective gender and hard-rockin’ ways, they’ve been historically overlooked in favor of the Runaways. This is simply criminal, and if you’ve ever dropped a quarter in a jukebox to play “Cherry Bomb,” you owe it to the universe to check out what you missed, especially since the band is mourning the recent loss of original guitarist Kelly Johnson to spinal cancer.
Mon., Sept. 3, 7 p.m.