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Recent Articles
Recent Articles by Sandra Kurtz
Beforts blackouts and mannequin hands.
PNBs Robbins program speaks to the companys
continuing evolution under Peter Boal.
Zoe Scofield takes traditional technique into the jungle.
PNBs dancers prove oddity and agility can mix.
Tonya Lockyer writes her résumé with her feet
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National Features >
Houston Press
What mainstream publishers don't want you to know about door-to-door magazine sales.
By Craig Malisow
Riverfront Times
When these huntresses on are on the prowl, the prey very much wants to be caught.
By Unreal
Broward-Palm Beach New Times
How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.
By Bob Norman
SF Weekly
Are Asian women getting their jawbones cut to look whiter?
By Lauren Smiley
Gravity
Published on May 18, 2005
Choreographer and dancer Peter Kyle (pictured, center) and his colleagues in the Pacific Performance Project make thoughtful works jammed full of cultural references and juicy questions about the physical and intellectual world. This time, the contact point is Paris almost 100 years ago, where Anton Chekov's Madame Ranevsky might have lived after her cherry orchard was cut down, might have seen Picasso's groundbreaking artwork and Nijinsky's exhilarating performances, might have watched one century transform into another. Playhouse Theatre, University of Washington, 4045 University Way N.E., 206-632-1319. $10-$14. 7:30 p.m. Wed. May 18-Sun. May 22. Also 2 p.m. Sat. May 21-Sun. May 22.