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Recent Articles
Recent Articles by Sandra Kurtz
Beforts blackouts and mannequin hands.
PNBs Robbins program speaks to the companys
continuing evolution under Peter Boal.
Zoe Scofield takes traditional technique into the jungle.
PNBs dancers prove oddity and agility can mix.
Tonya Lockyer writes her résumé with her feet
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National Features >
Houston Press
What mainstream publishers don't want you to know about door-to-door magazine sales.
By Craig Malisow
Riverfront Times
When these huntresses on are on the prowl, the prey very much wants to be caught.
By Unreal
Broward-Palm Beach New Times
How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.
By Bob Norman
SF Weekly
Are Asian women getting their jawbones cut to look whiter?
By Lauren Smiley
Gajamukha Ensemble
Published on November 10, 2004
Director Jayanthi Raman (pictured) has created a new work from classic components in the tradition of Indian music and dance, which tells stories from mytho- logy about the adventures of gods and humans. She's combined several dance styles—mixing abstract virtuosity and mimetic characterization—in a portrayal of Ganesh, the elephant-headed god who represents good fortune and banishes all obstacles. Meany Theater, University of Washington, 206-543-4880. $28. 8 p.m. Sat. Nov. 13.